At that moment, the artist would bestow a gift to the arrangement, in the form of candies in shiny red wrappers, but here it is not food but colour. She was totally unsuspecting of the near future when some grim toys with depleted uranium would be thrown at some other children, whose memories would be also measured by the millennia, in a game where everyone lost. This was the way the children used to do with the toys given by ingenious Melanie Klein at her office, where the famous psychoanalyst, applying her original play technique from the domain of preverbal experience, was slowly introducing them into a world of object relations, the adult world. Do we recognise on her paintings faces of the unknown Greeks of today, catatonically staring into that same archaeological abyss through which Persephone and Demeter have nothing to say anymore? The whirling myrtle petals above the sea and the islands shimmering space remind us of the abduction of Kore, Persephone, of the cult of Demeter and the Eleusinian Mysteries, to which Ljubica Radovic would dedicate one of her painting cycles.
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3D FOTO TAPETE
The visitors are required not to bring in their pets or food. In their interpretation, the spinal cord is like an upturned tree.
And that is the ambiance where junala artist carefully builds her poetry and her art, which do not provide quick answers. The initiation into the sacramental ritual of submersion in the river Illisos reminds us of the great significance the river Jordan has to the Christians, the Ganges to the Hindus, the Yamuna to the Vaishnava.
The artist intuitively sets the compositions, quite satisfied with the arrangement of the objects, or with an accidental or, perhaps, deliberate encounter of her cat, Zlatica, junxka some dolls, whose gesture will give the final touch to a painting composition.
And perhaps, among the toys, there was also a rubber Pluto. Sometimes, Ljubica may move her tiny models from one side to the other, arranging them in various ways. Her paintings touch the world of superficiality, interlaced with the tragic, but this is the juanka where the transposed reality pulsates with the soft beats of hope. Kliknite u prozor da ga zatvorite. It is a world of noise and silence, of both relative and absolute planes, and halfway between those two infinites, on the artistic altar of the painter, sights emerge that should, within the soul, reconcile those extremes at the very act of creation.
Adam is reason and Eve is feeling.
Untitled Document
Boja umesto cveta, jer boja je na staroslovenskom cvet. It may also be wise, as wisdom is the fruit of intuition. Mozda i mudra, jer je mudrost plod intuicije. Kliknite na sliku da otvorite prozor sa uvecanom slikom.
When the emotion or Eve-consciousness in any human beings is overpowered by the sex impulse, his reason or Adam also succumbs. This will be a motif that Ljubica Radovic often comes back to, multiplying the points from which the film frames projected to the narrow windows are viewed, frequently changing the central and dinzijevih Byzantine perspective, intuitively playing with the vanishing points, the line of the horizon, thus reinforcing the composition and the poetic flow effects.
She would complete the dynamism of the observed sight and perhaps provide some other answer.
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Did diznijsvih remember Hades, Pluto, who abducted Kore while she was making myrtle, anemone and asphodel wreaths with her friends? Or perhaps she remembered her toys which she, as a little girl, threw from her balcony to the children outside to play with? Ljubicine odluke isto tako dolaze naglo, intuitivnom odlukom.
Or perhaps, we sense reflections of our own apprehension in times when the history is written by the few, capable of manipulating the living puppets.
At that moment, the artist would bestow a gift to the arrangement, in the form of candies in shiny red wrappers, but here it is not food but colour.
Dizhijevih emerge through a specific expression, where the artist easily renders the third dimension abstract; all the time she feels the fine vibrations otherwise unavailable to our senses, with a deep sense of uncertainty.
She was totally unsuspecting of the near future when some grim toys with depleted uranium would be thrown at some other children, whose memories would be also measured by the millennia, in a game where everyone lost.
Slike Princeze Tvajlajt
In her art, Ljubica Radovic turns to answers of great traditions, recognising in them those common symbols and values that provide spiritual tranquillity. The small rectangular windows, resembling doznijevih film frames, time and time again will offer the variations of the same scene, where the hustle and bustle of the city and the tranquillity of the church yard are the only two constants.
The whirling myrtle petals above the sea and the islands shimmering space remind us of the abduction of Kore, Persephone, of the cult of Demeter and the Eleusinian Mysteries, to which Ljubica Radovic would dedicate one of her painting cycles. Their iconography, inspired by the ancient figurines, craters, lekythoi and other ancient vessels, is made complete with the objects from her studio: Upon the painting vibrant background, the toys, objects, plates after a doznijevih meal emerge in a way that we are not sure whether those shapes are appearing or disappearing.
The colours of the new paintings goes down towards the lower tone key, the almost watercolour-like layers of carefully applied paint do not mask the painting process.
Do we recognise on her paintings faces of the unknown Greeks of today, catatonically staring into that same archaeological abyss through which Persephone and Demeter have nothing to say anymore? There we get a message that in the British Museum they constitute a part of the world cultural heritage, whereas in the Acropolis Museum they are just show exhibits.
Ta odluka je nagla, intuitivna. Colour instead of a blossom, as the Slavic word for colour is the same as for the blossom.